I occasionally purchase unknown etchings because something about them
is very appealing. It draws me in. Initially I am often not sure why I respond
to such works, but my reaction is to purchase them initially and find more
about them at a later time when I come across more information. Our personal
response to images may be triggered by something about an image which touches
us personally or our knowledge of other works which are similar in style or
content that link the work in question to others that have come before.
Piper, 1936 |
Such is the case in point with
the two John Wills etchings on this post. When I found these etchings I was immediately drawn into the
Palmer like world he had created within these small works. In “the Piper” etching the musician plays his
tune to mysterious figure inside one of the small rustic cottages in the valley.
The
other etching “The High Hedge” or “Twilight of the World”? (1936) also contains elements of rustic
villages and exotic foliage and an illuminating lantern in the foreground. Both
etching have a miniature jewel like
quality that are reminiscent of the primitive quality of some of the work
produced by the Ancients during their time in Shoreham.
The High hedge, 1936 |
I know very little about the artist but I
know that John Wills studied at the Royal College of Art sometime in the
30’s under the instruction of Robert Austin and Malcolm Osborne. After leaving college he lived and worked in Gloucestershire.
Hi
ReplyDeleteLovely etchings. Have you been able to discover anything else about this mysterious artist since your post?
Mike
abc
ReplyDelete